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by sofia robleda
In sixteenth-century Mexico, a fearless young woman strives to uncover the secrets her mother kept as the last Aztec empress in a sweeping historical epic by the author of Daughter of Fire. Tenochtitlan, 1551. Thirty years after the Spanish Conquest destroyed everything she loved, the last Aztec empress has passed and left behind a pristine yet tenuous legacy for her children.
As her last will and testament is read out, her daughter Isabel suspects that another account of her mother’s life may exist, hidden away, chapter by chapter, in the Valley of Mexico. Following each clue, Isabel is determined to find out who her mother really was and to discover the secrets she buried in order to survive. Joined by her siblings and a handsome young cook named Juan, Isabel embarks on a perilous journey to piece together the past—a journey that will force the party to brave the brutal viceroyal court, face fearsome legends in mystical chinampas, and trek through desert, fire, and snow.
As Isabel’s feelings for Juan grow, she confronts everything she thought she knew about her Spanish father, her empress mother, and herself. Facing everything from the tunnels of ancient pyramids to the summit of an active volcano, Isabel will meet every challenge to fulfill an epic quest for the truth.
By John McCullough
John McCullough's Crowd Voltage addresses yearnings for community. It probes fragmentation within groups and individuals – disturbances within the body of the crowd and the crowd of the body. Engaging with working-class and queer experiences, the poems move between solitude and togetherness, haunted by ghosts from history as they dream of unity and discover joy in deserted corners.
To be common here is to share not only qualities but stories with many others – to be classed alongside people with similar origins and become connected also to what is commonplace in the world of animals and plants, days and tables. Sky and sea dominate as the speakers search for oneness and completion, confronted by vast silences and the shadow of Brighton’s collapsing West Pier. John McCullough has published four previous collections, one with Salt and three with Penned in the Margins, most recently, the Costa-shortlisted Reckless Paper Birds (2019), winner of the Hawthornden Prize, and Panic Response (2022), which included his long poem 'Flowers of Sulphur', shortlisted for the Forward Prize for Best Single Poem.
By Simon Maddrell
In Simon Maddrell’s wide and bracing world, childhood orbits the voice of a distant and sometimes dangerous parent. Memories of sex parties, dead friends and estranged lovers straddle the spaces between feeling and thought, loss and fatalism. lamping wild rabbits is a brave and expansive multiverse, exploring sexuality, queer desire, memory recall and testimony.
With poems that pay homage to the late Derek Jarman, to verses which situate themselves in and around the Isle of Man, exploring Britain’s colonial presence through the subverted interplay of English and the Manx language. A poly-vocal and multifaceted debut which is unafraid to confront the shame and stigma of HIV, while never allowing the poems to lose shape or pace, altering the lens to bring the reader’s attention to birdsong and the queer body in nature. Maddrell has achieved a distinct and totally convincing sound through the literary geography of lamping wild rabbits, one that gives the impression it’s been everywhere and returned because it survived.
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